Charlie Chan
By Earl Derr Biggers
Origin
Charlie Chan appeared in only six novels by Earl Derr Biggers. When Biggers wrote the first
novel, it was an instant hit. The other books maintained the popularity that the first achieved. The character became immensely popular and inspired more than forty-five films about him.
But it wasn't always so. In an era when many Americans were ethnocentric, understanding of cultures and sensitivity were lacking. The unknown sometimes inspires fear or discomfort, and the imagination can easily come into play. When creating plots for fiction, or characters, writers often relied much on the imagination and little on research or real knowledge.
Earl Derr Biggers had already been exposed to the literary archetype of "the sinister Oriental" or, even worse, "the Yellow peril." (Today, these phrases are offensive; during the time, ethnocentrically-centered people were unaware of the offensive nature of these ideas.) The Fu Manchu character created by Sax Rohmer was first presented to the public in the novel The Insidious Dr. Fu Manchu in 1913, which was followed by a number of other books about the character.
But then Biggers came across an article in a newspaper about a detective in Hololulu named Chang Apana. Thinking in terms of plot construction and characters, and not in terms of cultural reality, he reasoned, "Sinister and wicked Chinese are old stuff...but an amiable Chinese on the side of law and order had never been used."
That was the germination of an idea that began his developing
Charlie Chan.
The Great Detective's Appearance in Books
The first time we meet Chan, in The House Without
a Key, his superior, Captain Hallet is introducing him to others during the
investigation of a crime scene:
| "We'll see what Charlie has dug up out here," he
[Captain Hallet] said, and led the way to
the lanai.
The huge Chinese man knelt, a grotesque figure, by a table. He rose
laboriously as they entered.
"Find the knife, Charlie?" the captain asked.
Chan shook his head. "No knife are present in neighborhood of crime," he
announced.
"On that table," Miss Minerva began, "there was a Malay kris, used as a
paper cutter--"
The Chinese man nodded, and lifted the kris from the desk. "Same remains
here still," he said, "untouched, unsullied. Person who killed carried
individual weapon."
"How about finger-prints?" asked Hallet.
"Considering from recent discovery," Chan replied, "search for
finger-prints are hopeless one." He held out a pudgy hand, in the palm of
which lay a small pearl button. "Torn from kid's glove," he elucidated.
"Aged trick of criminal mind. No finger-prints."
"Is that all you've got?" asked his chief.
"Most sincere endeavors," said Chan, "have revealed not much. However, I
might mention this." He took up a leather-bound book from the table.
"Here are written names of visitors who have enjoyed hospitality of the
house. A guest book is, I believe, the term. You will find that one of
the earlier pages has been ruthlessly torn out. When I make discovery the
volume are lying open at that locality."
Captain Hallet took the book in his thin hand. "All right, Charlie," he
said. "This is your case." |
And later in the book another passage shows his relationship
with Captain Hallet.
| Chan laid a deferential hand on his chief's arm. "Humbly suggest I
attempt this," he said. Hallet nodded. "All right, he's your meat, Charlie." He drew back.
Chan bowed with a great show of politeness. He launched into a long story
in Chinese. Lau Ho looked at him with slight interest. Presently he
squeaked a brief reply. Chan resumed his flow of talk. Occasionally he
paused, and Lau Ho spoke. In a few moments Chan turned beaming.
"Story are now completely extracted like aching tooth," he said. "Wrist
watch was brought to Lau Ho on Thursday, same week as murder. Offered him
on sale by young man darkly colored with small knife scar marring cheek.
Lau Ho buy and repair watch, interior works being in injured state.
Saturday morning he sell at seemly profit to Japanese, presumably this
Okoda here but Lau Ho will not swear. Saturday night dark young man
appear much overwhelmed with excitement and demand watch again, please.
Lau Ho say it is sold to Japanese. Which Japanese? Lau Ho is not aware of
name, and can not describe, all Japanese faces being uninteresting
outlook for him. Dark young man curse and fly. Appear frequently
demanding any news, but Lau Ho is unable to oblige. Such are story of
this jewel merchant here."
|
Appearance in Films
Since the books were successful, Chan was a likely candidate to appear in films.
But Hollywood was not sure how this "amiable Chinese on the side of law and order" would be accepted by audiences (again an ethnocentric judgment!). Afraid to give him a large role in early films, Behind That Curtain had a very brief appearance in the early part of the film and a slightly longer appearance near the end of the film. (Note:
Behind That Curtain was the third film; the first two are lost so I cannot comment on them.) Other than the
detective's minor appearance, the film was faithful to the book. Caucasian actor E. L. Parks played Chan; Boris Karloff appeared in the film, as well.
Then Earl Derr Biggers was called upon to create a script. He wrote the screenplay for The Black Camel and expanded Chan's appearance in the film. Swedish actor Warner Oland played
the detective and the rest is history. The character was extremely popular, Oland went on to appear as Chan in many more films.
Keye Luke made his first appearance in Charlie Chan in Paris, as Charlie's "Number One Son." (Charlie had a large family.) Luke was so well received in the role that he continued for many for films.
When Warner Oland died of pneumonia Sidney Toler took over the role.
Toler appeared in many more films. During his career, the property went from the more lavish 20th-Century Fox studios to the lower-budget Monogram studios. But the character maintained his popularity. When
"Number One Son" Keye Luke left the series, Victor Sen appeared as the "Number Two Son," and also achieved popularity.
When Keye Luke, who was Chinese, was asked later in his career if he were offended by the idea of a Chinese detective being played by a succession of Caucasian actors, he basically said, "We weren't conscious of any problem at the time. We were just actors looking for a part. We just wanted to be working actors"
[ paraphrased because I read this years ago and don't have the exact quote at
hand].
When Sidney Toler died, Roland Winter took up the mantle.
Occasionally Chan was to appear in other individual films, made-for-television films, television series, an animated series, and comics. J. Carroll Naish (on television), Peter Ustinov (in film), and Keye Luke (whose voice was used in the animated series) played Chan.
Books by Earl Derr Biggers
The House Without a Key (1925)
The Chinese Parrot (1926)
Behind That Curtain (1928)
The Black Camel (1929)
Charlie Chan Carries On (1930)
Keeper of the Keys (1932)
Books by other authorsCharlie Chan Returns (1974) by Dennis Lynds, a novelization of the TV film
Charlie Chan and the Curse of the Dragon Queen (1981) by Michael Avallone, a novelization of the film.
Charlie Chan in the Pawns of Death by Bill Pronzini
Charlie Chan in The Temple of the Golden Horde by Michael Collins
FILMS
Early Films:The
House Without a Key (1926) lost (featuring George Kuwa as Chan)
The Chinese Parrot (1927) lost (with Japanese actor Sojin)
Behind That Curtain (1929) (E. L. Parks appeared in two brief scenes as
the great detective; Boris Karloff also appeared in this film).With Warner Oland
The Black Camel
(1931)
Charlie Chan Carries On (1931) - lost (?) -- A Spanish version named Eran Trece with a may be available.
Charlie Chan's Chance (1932) lost
Charlie Chan's Greatest Case (1933) lost
Charlie Chan's Courage (1934) lost
Charlie Chan...
- ...in
London (1934)
- ...in Paris (1935):
-
...in Egypt (1935)
- ...in Shanghai (1935)
- Charlie Chan's Secret (1936)
Charlie Chan...
- ...at the Circus (1936)
- ...at the Race Track (1936)
- ...at the Opera (1936):
-
...at the Olympics
(1937)
- ...on Broadway (1937)
- ...at Monte Carlo (1938)
With Sidney TolerCharlie Chan...
- ,,,in Honolulu (1938)
- ...in Reno (1939)
- ...at Treasure Island (1939)
- City in Darkness (1939)
- Charlie Chan's Murder Cruise (1940)
- ...at the Wax Museum
(1940)
- ...in Panama (1940)
- Murder Over New York
(1940)
- Dead Men Tell (1941)
- ...in Rio
(1941)
- Castle in the Desert
(1942)
- ...in the Secret Service
(1944):
- The Chinese Cat
(1944):
-
Meeting at Midnight
(1944):
- The Shanghai Cobra (1945):
- The Red Dragon (1945)
- The Scarlet Clue
(1945):
- The Jade Mask
(1945):
- Shadows Over Chinatown (1946)
- Dangerous Money (1946)
- Dark Alibi (1946)
- The Trap (1946, AKA: Murder at Malibu Beach)
With Roland Winters
- The Chinese Ring (1947)
- Docks of New Orleans (1948)
- Shanghai Chest (1948)
- The Golden Eye (1948)
- The Feathered Serpent (1948)
- The Sky Dragon (1949)
Classic Film Collections
Collection 1 (DVDs)
includes Charlie Chan...:
- ... in London
- ... in Paris
- ...in Egypt
- ...in Shanghai, and
- Eran Trece (A Spanish version of the
lost "Charlie Chan Carries On.")
Collection 2 (DVDs)
includes Charlie Chan:
- ...at the Circus
- ...at the Olympics
- ...at the Opera, and
- ...at the Race Track
Collection 3 (DVDs)
includes :
- Charlie Chan's Secret
- Charlie Chan at Monte Carlo
- Charlie Chan on Broadway, and
- The Black Camel
Collection 4 (DVDs)
includes Charlie Chan:
- ...in Honolulu
- ...in Reno
- ...at Treasure Island, and
- City in Darkness
Chanthology DVD
includes:
- The Secret Service
- The Jade Mask
- Meeting at Midnight
- The Scarlet Clue
- The Shanghai Cobra
Other appearances:
J. Carroll Naish (1950s TV series):
A 1981 film with Peter Ustinov as the famous
detective:
On Radio
Walter Connolly and, later, Ed Begley played the great
detective
on radio.

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