In the cool blue twilight of two steep streets in Camden Town,
the shop at the corner, a confectioner’s, glowed like the
butt of a cigar. One should rather say, perhaps, like the butt of a
firework, for the light was of many colours and some complexity,
broken up by many mirrors and dancing on many gilt and
gaily-coloured cakes and sweetmeats. Against this one fiery glass
were glued the noses of many gutter-snipes, for the chocolates were
all wrapped in those red and gold and green metallic colours which
are almost better than chocolate itself; and the huge white
wedding-cake in the window was somehow at once remote and
satisfying, just as if the whole North Pole were good to eat. Such
rainbow provocations could naturally collect the youth of the
neighbourhood up to the ages of ten or twelve. But this corner was
also attractive to youth at a later stage; and a young man, not
less than twenty-four, was staring into the same shop window. To
him, also, the shop was of fiery charm, but this attraction was not
wholly to be explained by chocolates; which, however, he was far
from despising.
He was a tall, burly, red-haired young man, with a resolute face
but a listless manner. He carried under his arm a flat, grey
portfolio of black-and-white sketches, which he had sold with more
or less success to publishers ever since his uncle (who was an
admiral) had disinherited him for Socialism, because of a lecture
which he had delivered against that economic theory. His name was
John Turnbull Angus.
Entering at last, he walked through the confectioner’s
shop to the back room, which was a sort of pastry-cook restaurant,
merely raising his hat to the young lady who was serving there. She
was a dark, elegant, alert girl in black, with a high colour and
very quick, dark eyes; and after the ordinary interval she followed
him into the inner room to take his order.
His order was evidently a usual one. “I want,
please,” he said with precision, “one halfpenny bun and
a small cup of black coffee.” An instant before the girl
could turn away he added, “Also, I want you to marry
me.”
The young lady of the shop stiffened suddenly and said,
“Those are jokes I don’t allow.”
The red-haired young man lifted grey eyes of an unexpected
gravity.
“Really and truly,” he said, “it’s as
serious — as serious as the halfpenny bun. It is expensive,
like the bun; one pays for it. It is indigestible, like the bun. It
hurts.”
The dark young lady had never taken her dark eyes off him, but
seemed to be studying him with almost tragic exactitude. At the end
of her scrutiny she had something like the shadow of a smile, and
she sat down in a chair.
“Don’t you think,” observed Angus, absently,
“that it’s rather cruel to eat these halfpenny buns?
They might grow up into penny buns. I shall give up these brutal
sports when we are married.”
The dark young lady rose from her chair and walked to the
window, evidently in a state of strong but not unsympathetic
cogitation. When at last she swung round again with an air of
resolution she was bewildered to observe that the young man was
carefully laying out on the table various objects from the
shop-window. They included a pyramid of highly coloured sweets,
several plates of sandwiches, and the two decanters containing that
mysterious port and sherry which are peculiar to pastry-cooks. In
the middle of this neat arrangement he had carefully let down the
enormous load of white sugared cake which had been the huge
ornament of the window.
“What on earth are you doing?” she asked.
“Duty, my dear Laura,” he began.
“Oh, for the Lord’s sake, stop a minute,” she
cried, “and don’t talk to me in that way. I mean, what
is all that?”
“A ceremonial meal, Miss Hope.”
“And what is that?” she asked impatiently, pointing
to the mountain of sugar.
“The wedding-cake, Mrs. Angus,” he said.
The girl marched to that article, removed it with some clatter,
and put it back in the shop window; she then returned, and, putting
her elegant elbows on the table, regarded the young man not
unfavourably but with considerable exasperation.
“You don’t give me any time to think,” she
said.
“I’m not such a fool,” he answered;
“that’s my Christian humility.”
She was still looking at him; but she had grown considerably
graver behind the smile.
“Mr. Angus,” she said steadily, “before there
is a minute more of this nonsense I must tell you something about
myself as shortly as I can.’”
“Delighted,” replied Angus gravely. “You might
tell me something about myself, too, while you are about
it.”
“Oh, do hold your tongue and listen,” she said.
“It’s nothing that I’m ashamed of, and it
isn’t even anything that I’m specially sorry about. But
what would you say if there were something that is no business of
mine and yet is my nightmare?”
“In that case,” said the man seriously, “I
should suggest that you bring back the cake.”
“Well, you must listen to the story first,” said
Laura, persistently. “To begin with, I must tell you that my
father owned the inn called the ‘Red Fish’ at Ludbury,
and I used to serve people in the bar.”
“I have often wondered,” he said, “why there
was a kind of a Christian air about this one confectioner’s
shop.”
“Ludbury is a sleepy, grassy little hole in the Eastern
Counties, and the only kind of people who ever came to the
‘Red Fish’ were occasional commercial travellers, and
for the rest, the most awful people you can see, only you’ve
never seen them. I mean little, loungy men, who had just enough to
live on and had nothing to do but lean about in bar-rooms and bet
on horses, in bad clothes that were just too good for them. Even
these wretched young rotters were not very common at our house; but
there were two of them that were a lot too common — common in
every sort of way. They both lived on money of their own, and were
wearisomely idle and over-dressed. But yet I was a bit sorry for
them, because I half believe they slunk into our little empty bar
because each of them had a slight deformity; the sort of thing that
some yokels laugh at. It wasn’t exactly a deformity either;
it was more an oddity. One of them was a surprisingly small man,
something like a dwarf, or at least like a jockey. He was not at
all jockeyish to look at, though; he had a round black head and a
well-trimmed black beard, bright eyes like a bird’s; he
jingled money in his pockets; he jangled a great gold watch chain;
and he never turned up except dressed just too much like a
gentleman to be one. He was no fool though, though a futile idler;
he was curiously clever at all kinds of things that couldn’t
be the slightest use; a sort of impromptu conjuring; making fifteen
matches set fire to each other like a regular firework; or cutting
a banana or some such thing into a dancing doll. His name was
Isidore Smythe; and I can see him still, with his little dark face,
just coming up to the counter, making a jumping kangaroo out of
five cigars.
“The other fellow was more silent and more ordinary; but
somehow he alarmed me much more than poor little Smythe. He was
very tall and slight, and light-haired; his nose had a high bridge,
and he might almost have been handsome in a spectral sort of way;
but he had one of the most appalling squints I have ever seen or
heard of. When he looked straight at you, you didn’t know
where you were yourself, let alone what he was looking at. I fancy
this sort of disfigurement embittered the poor chap a little; for
while Smythe was ready to show off his monkey tricks anywhere,
James Welkin (that was the squinting man’s name) never did
anything except soak in our bar parlour, and go for great walks by
himself in the flat, grey country all round. All the same, I think
Smythe, too, was a little sensitive about being so small, though he
carried it off more smartly. And so it was that I was really
puzzled, as well as startled, and very sorry, when they both
offered to marry me in the same week.
“Well, I did what I’ve since thought was perhaps a
silly thing. But, after all, these freaks were my friends in a way;
and I had a horror of their thinking I refused them for the real
reason, which was that they were so impossibly ugly. So I made up
some gas of another sort, about never meaning to marry anyone who
hadn’t carved his way in the world. I said it was a point of
principle with me not to live on money that was just inherited like
theirs. Two days after I had talked in this well-meaning sort of
way, the whole trouble began. The first thing I heard was that both
of them had gone off to seek their fortunes, as if they were in
some silly fairy tale.
“Well, I’ve never seen either of them from that day
to this. But I’ve had two letters from the little man called
Smythe, and really they were rather exciting.”
“Ever heard of the other man?” asked Angus.
“No, he never wrote,” said the girl, after an
instant’s hesitation. “Smythe’s first letter was
simply to say that he had started out walking with Welkin to
London; but Welkin was such a good walker that the little man
dropped out of it, and took a rest by the roadside. He happened to
be picked up by some travelling show, and, partly because he was
nearly a dwarf, and partly because he was really a clever little
wretch, he got on quite well in the show business, and was soon
sent up to the Aquarium, to do some tricks that I forget. That was
his first letter. His second was much more of a startler, and I
only got it last week.”
The man called Angus emptied his coffee-cup and regarded her
with mild and patient eyes. Her own mouth took a slight twist of
laughter as she resumed, “I suppose you’ve seen on the
hoardings all about this ‘Smythe’s Silent
Service’? Or you must be the only person that hasn’t.
Oh, I don’t know much about it, it’s some clockwork
invention for doing all the housework by machinery. You know the
sort of thing: ‘Press a Button — A Butler who Never
Drinks.’ ‘Turn a Handle — Ten Housemaids who
Never Flirt.’ You must have seen the advertisements. Well,
whatever these machines are, they are making pots of money; and
they are making it all for that little imp whom I knew down in
Ludbury. I can’t help feeling pleased the poor little chap
has fallen on his feet; but the plain fact is, I’m in terror
of his turning up any minute and telling me he’s carved his
way in the world — as he certainly has.”
“And the other man?” repeated Angus with a sort of
obstinate quietude.
Laura Hope got to her feet suddenly. “My friend,”
she said, “I think you are a witch. Yes, you are quite right.
I have not seen a line of the other man’s writing; and I have
no more notion than the dead of what or where he is. But it is of
him that I am frightened. It is he who is all about my path. It is
he who has half driven me mad. Indeed, I think he has driven me
mad; for I have felt him where he could not have been, and I have
heard his voice when he could not have spoken.”
“Well, my dear,” said the young man, cheerfully,
“if he were Satan himself, he is done for now you have told
somebody. One goes mad all alone, old girl. But when was it you
fancied you felt and heard our squinting friend?”
“I heard James Welkin laugh as plainly as I hear you
speak,” said the girl, steadily. “There was nobody
there, for I stood just outside the shop at the corner, and could
see down both streets at once. I had forgotten how he laughed,
though his laugh was as odd as his squint. I had not thought of him
for nearly a year. But it’s a solemn truth that a few seconds
later the first letter came from his rival.”
“Did you ever make the spectre speak or squeak, or
anything?” asked Angus, with some interest.
Laura suddenly shuddered, and then said, with an unshaken voice,
“Yes. Just when I had finished reading the second letter from
Isidore Smythe announcing his success. Just then, I heard Welkin
say, ‘He shan’t have you, though.’ It was quite
plain, as if he were in the room. It is awful, I think I must be
mad.”
“If you really were mad,” said the young man,
“you would think you must be sane. But certainly there seems
to me to be something a little rum about this unseen gentleman. Two
heads are better than one — I spare you allusions to any
other organs and really, if you would allow me, as a sturdy,
practical man, to bring back the wedding-cake out of the window
— ”
Even as he spoke, there was a sort of steely shriek in the
street outside, and a small motor, driven at devilish speed, shot
up to the door of the shop and stuck there. In the same flash of
time a small man in a shiny top hat stood stamping in the outer
room.
Angus, who had hitherto maintained hilarious ease from motives
of mental hygiene, revealed the strain of his soul by striding
abruptly out of the inner room and confronting the new-comer. A
glance at him was quite sufficient to confirm the savage guesswork
of a man in love. This very dapper but dwarfish figure, with the
spike of black beard carried insolently forward, the clever
unrestful eyes, the neat but very nervous fingers, could be none
other than the man just described to him: Isidore Smythe, who made
dolls out of banana skins and match-boxes; Isidore Smythe, who made
millions out of undrinking butlers and unflirting housemaids of
metal. For a moment the two men, instinctively understanding each
other’s air of possession, looked at each other with that
curious cold generosity which is the soul of rivalry.
Mr. Smythe, however, made no allusion to the ultimate ground of
their antagonism, but said simply and explosively, “Has Miss
Hope seen that thing on the window?”
“On the window?” repeated the staring Angus.
“There’s no time to explain other things,”
said the small millionaire shortly. “There’s some
tomfoolery going on here that has to be investigated.”
He pointed his polished walking-stick at the window, recently
depleted by the bridal preparations of Mr. Angus; and that
gentleman was astonished to see along the front of the glass a long
strip of paper pasted, which had certainly not been on the window
when he looked through it some time before. Following the energetic
Smythe outside into the street, he found that some yard and a half
of stamp paper had been carefully gummed along the glass outside,
and on this was written in straggly characters, “If you marry
Smythe, he will die.”
“Laura,” said Angus, putting his big red head into
the shop, “you’re not mad.”
“It’s the writing of that fellow Welkin,” said
Smythe gruffly. “I haven’t seen him for years, but
he’s always bothering me. Five times in the last fortnight
he’s had threatening letters left at my flat, and I
can’t even find out who leaves them, let alone if it is
Welkin himself. The porter of the flats swears that no suspicious
characters have been seen, and here he has pasted up a sort of dado
on a public shop window, while the people in the shop —
”
“Quite so,” said Angus modestly, “while the
people in the shop were having tea. Well, sir, I can assure you I
appreciate your common sense in dealing so directly with the
matter. We can talk about other things afterwards. The fellow
cannot be very far off yet, for I swear there was no paper there
when I went last to the window, ten or fifteen minutes ago. On the
other hand, he’s too far off to be chased, as we don’t
even know the direction. If you’ll take my advice, Mr.
Smythe, you’ll put this at once in the hands of some
energetic inquiry man, private rather than public. I know an
extremely clever fellow, who has set up in business five minutes
from here in your car. His name’s Flambeau, and though his
youth was a bit stormy, he’s a strictly honest man now, and
his brains are worth money. He lives in Lucknow Mansions,
Hampstead.”
“That is odd,” said the little man, arching his
black eyebrows. “I live, myself, in Himylaya Mansions, round
the corner. Perhaps you might care to come with me; I can go to my
rooms and sort out these queer Welkin documents, while you run
round and get your friend the detective.”
“You are very good,” said Angus politely.
“Well, the sooner we act the better.”
Both men, with a queer kind of impromptu fairness, took the same
sort of formal farewell of the lady, and both jumped into the brisk
little car. As Smythe took the handles and they turned the great
corner of the street, Angus was amused to see a gigantesque poster
of “Smythe’s Silent Service,” with a picture of a
huge headless iron doll, carrying a saucepan with the legend,
“A Cook Who is Never Cross.”
“I use them in my own flat,” said the little
black-bearded man, laughing, “partly for advertisements, and
partly for real convenience. Honestly, and all above board, those
big clockwork dolls of mine do bring your coals or claret or a
timetable quicker than any live servants I’ve ever known, if
you know which knob to press. But I’ll never deny, between
ourselves, that such servants have their disadvantages, too.
“Indeed?” said Angus; “is there something they
can’t do?”
“Yes,” replied Smythe coolly; “they
can’t tell me who left those threatening letters at my
flat.”
The man’s motor was small and swift like himself; in fact,
like his domestic service, it was of his own invention. If he was
an advertising quack, he was one who believed in his own wares. The
sense of something tiny and flying was accentuated as they swept up
long white curves of road in the dead but open daylight of evening.
Soon the white curves came sharper and dizzier; they were upon
ascending spirals, as they say in the modern religions. For,
indeed, they were cresting a corner of London which is almost as
precipitous as Edinburgh, if not quite so picturesque. Terrace rose
above terrace, and the special tower of flats they sought, rose
above them all to almost Egyptian height, gilt by the level sunset.
The change, as they turned the corner and entered the crescent
known as Himylaya Mansions, was as abrupt as the opening of a
window; for they found that pile of flats sitting above London as
above a green sea of slate. Opposite to the mansions, on the other
side of the gravel crescent, was a bushy enclosure more like a
steep hedge or dyke than a garden, and some way below that ran a
strip of artificial water, a sort of canal, like the moat of that
embowered fortress. As the car swept round the crescent it passed,
at one corner, the stray stall of a man selling chestnuts; and
right away at the other end of the curve, Angus could see a dim
blue policeman walking slowly. These were the only human shapes in
that high suburban solitude; but he had an irrational sense that
they expressed the speechless poetry of London. He felt as if they
were figures in a story.
The little car shot up to the right house like a bullet, and
shot out its owner like a bomb shell. He was immediately inquiring
of a tall commissionaire in shining braid, and a short porter in
shirt sleeves, whether anybody or anything had been seeking his
apartments. He was assured that nobody and nothing had passed these
officials since his last inquiries; whereupon he and the slightly
bewildered Angus were shot up in the lift like a rocket, till they
reached the top floor.
“Just come in for a minute,” said the breathless
Smythe. “I want to show you those Welkin letters. Then you
might run round the corner and fetch your friend.” He pressed
a button concealed in the wall, and the door opened of itself.
It opened on a long, commodious ante-room, of which the only
arresting features, ordinarily speaking, were the rows of tall
half-human mechanical figures that stood up on both sides like
tailors’ dummies. Like tailors’ dummies they were
headless; and like tailors’ dummies they had a handsome
unnecessary humpiness in the shoulders, and a pigeon-breasted
protuberance of chest; but barring this, they were not much more
like a human figure than any automatic machine at a station that is
about the human height. They had two great hooks like arms, for
carrying trays; and they were painted pea-green, or vermilion, or
black for convenience of distinction; in every other way they were
only automatic machines and nobody would have looked twice at them.
On this occasion, at least, nobody did. For between the two rows of
these domestic dummies lay something more interesting than most of
the mechanics of the world. It was a white, tattered scrap of paper
scrawled with red ink; and the agile inventor had snatched it up
almost as soon as the door flew open. He handed it to Angus without
a word. The red ink on it actually was not dry, and the message
ran, “If you have been to see her today, I shall kill
you.”
There was a short silence, and then Isidore Smythe said quietly,
“Would you like a little whiskey? I rather feel as if I
should.”
“Thank you; I should like a little Flambeau,” said
Angus, gloomily. “This business seems to me to be getting
rather grave. I’m going round at once to fetch
him.”
“Right you are,” said the other, with admirable
cheerfulness. “Bring him round here as quick as you
can.”
But as Angus closed the front door behind him he saw Smythe push
back a button, and one of the clockwork images glided from its
place and slid along a groove in the floor carrying a tray with
syphon and decanter. There did seem something a trifle weird about
leaving the little man alone among those dead servants, who were
coming to life as the door closed.
Six steps down from Smythe’s landing the man in shirt
sleeves was doing something with a pail. Angus stopped to extract a
promise, fortified with a prospective bribe, that he would remain
in that place until the return with the detective, and would keep
count of any kind of stranger coming up those stairs. Dashing down
to the front hall he then laid similar charges of vigilance on the
commissionaire at the front door, from whom he learned the
simplifying circumstances that there was no back door. Not content
with this, he captured the floating policeman and induced him to
stand opposite the entrance and watch it; and finally paused an
instant for a pennyworth of chestnuts, and an inquiry as to the
probable length of the merchant’s stay in the
neighbourhood.
The chestnut seller, turning up the collar of his coat, told him
he should probably be moving shortly, as he thought it was going to
snow. Indeed, the evening was growing grey and bitter, but Angus,
with all his eloquence, proceeded to nail the chestnut man to his
post.
“Keep yourself warm on your own chestnuts,” he said
earnestly. “Eat up your whole stock; I’ll make it worth
your while. I’ll give you a sovereign if you’ll wait
here till I come back, and then tell me whether any man, woman, or
child has gone into that house where the commissionaire is
standing.”
He then walked away smartly, with a last look at the besieged
tower.
“I’ve made a ring round that room, anyhow,” he
said. “They can’t all four of them be Mr.
Welkin’s accomplices.”
Lucknow Mansions were, so to speak, on a lower platform of that
hill of houses, of which Himylaya Mansions might be called the
peak. Mr. Flambeau’s semi-official flat was on the ground
floor, and presented in every way a marked contrast to the American
machinery and cold hotel-like luxury of the flat of the Silent
Service. Flambeau, who was a friend of Angus, received him in a
rococo artistic den behind his office, of which the ornaments were
sabres, harquebuses, Eastern curiosities, flasks of Italian wine,
savage cooking-pots, a plumy Persian cat, and a small dusty-looking
Roman Catholic priest, who looked particularly out of place.
“This is my friend Father Brown,” said Flambeau.
“I’ve often wanted you to meet him. Splendid weather,
this; a little cold for Southerners like me.”
“Yes, I think it will keep clear,” said Angus,
sitting down on a violet-striped Eastern ottoman.
“No,” said the priest quietly, “it has begun
to snow.”
And, indeed, as he spoke, the first few flakes, foreseen by the
man of chestnuts, began to drift across the darkening
windowpane.
“Well,” said Angus heavily. “I’m afraid
I’ve come on business, and rather jumpy business at that. The
fact is, Flambeau, within a stone’s throw of your house is a
fellow who badly wants your help; he’s perpetually being
haunted and threatened by an invisible enemy — a scoundrel
whom nobody has even seen.” As Angus proceeded to tell the
whole tale of Smythe and Welkin, beginning with Laura’s
story, and going on with his own, the supernatural laugh at the
corner of two empty streets, the strange distinct words spoken in
an empty room, Flambeau grew more and more vividly concerned, and
the little priest seemed to be left out of it, like a piece of
furniture. When it came to the scribbled stamp-paper pasted on the
window, Flambeau rose, seeming to fill the room with his huge
shoulders.
“If you don’t mind,” he said, “I think
you had better tell me the rest on the nearest road to this
man’s house. It strikes me, somehow, that there is no time to
be lost.”
“Delighted,” said Angus, rising also, “though
he’s safe enough for the present, for I’ve set four men
to watch the only hole to his burrow.”
They turned out into the street, the small priest trundling
after them with the docility of a small dog. He merely said, in a
cheerful way, like one making conversation, “How quick the
snow gets thick on the ground.”
As they threaded the steep side streets already powdered with
silver, Angus finished his story; and by the time they reached the
crescent with the towering flats, he had leisure to turn his
attention to the four sentinels. The chestnut seller, both before
and after receiving a sovereign, swore stubbornly that he had
watched the door and seen no visitor enter. The policeman was even
more emphatic. He said he had had experience of crooks of all
kinds, in top hats and in rags; he wasn’t so green as to
expect suspicious characters to look suspicious; he looked out for
anybody, and, so help him, there had been nobody. And when all
three men gathered round the gilded commissionaire, who still stood
smiling astride of the porch, the verdict was more final still.
“I’ve got a right to ask any man, duke or dustman,
what he wants in these flats,” said the genial and gold-laced
giant, “and I’ll swear there’s been nobody to ask
since this gentleman went away.”
The unimportant Father Brown, who stood back, looking modestly
at the pavement, here ventured to say meekly, “Has nobody
been up and down stairs, then, since the snow began to fall? It
began while we were all round at Flambeau’s.”
“Nobody’s been in here, sir, you can take it from
me,” said the official, with beaming authority.
“Then I wonder what that is?” said the priest, and
stared at the ground blankly like a fish.
The others all looked down also; and Flambeau used a fierce
exclamation and a French gesture. For it was unquestionably true
that down the middle of the entrance guarded by the man in gold
lace, actually between the arrogant, stretched legs of that
colossus, ran a stringy pattern of grey footprints stamped upon the
white snow.
“God!” cried Angus involuntarily, “the
Invisible Man!”
Without another word he turned and dashed up the stairs, with
Flambeau following; but Father Brown still stood looking about him
in the snow-clad street as if he had lost interest in his
query.
Flambeau was plainly in a mood to break down the door with his
big shoulders; but the Scotchman, with more reason, if less
intuition, fumbled about on the frame of the door till he found the
invisible button; and the door swung slowly open.
It showed substantially the same serried interior; the hall had
grown darker, though it was still struck here and there with the
last crimson shafts of sunset, and one or two of the headless
machines had been moved from their places for this or that purpose,
and stood here and there about the twilit place. The green and red
of their coats were all darkened in the dusk; and their likeness to
human shapes slightly increased by their very shapelessness. But in
the middle of them all, exactly where the paper with the red ink
had lain, there lay something that looked like red ink spilt out of
its bottle. But it was not red ink.
With a French combination of reason and violence Flambeau simply
said “Murder!” and, plunging into the flat, had
explored, every corner and cupboard of it in five minutes. But if
he expected to find a corpse he found none. Isidore Smythe was not
in the place, either dead or alive. After the most tearing search
the two men met each other in the outer hall, with streaming faces
and staring eyes. “My friend,” said Flambeau, talking
French in his excitement, “not only is your murderer
invisible, but he makes invisible also the murdered man.”
Angus looked round at the dim room full of dummies, and in some
Celtic corner of his Scotch soul a shudder started. One of the
life-size dolls stood immediately overshadowing the blood stain,
summoned, perhaps, by the slain man an instant before he fell. One
of the high-shouldered hooks that served the thing for arms, was a
little lifted, and Angus had suddenly the horrid fancy that poor
Smythe’s own iron child had struck him down. Matter had
rebelled, and these machines had killed their master. But even so,
what had they done with him?
“Eaten him?” said the nightmare at his ear; and he
sickened for an instant at the idea of rent, human remains absorbed
and crushed into all that acephalous clockwork.
He recovered his mental health by an emphatic effort, and said
to Flambeau, “Well, there it is. The poor fellow has
evaporated like a cloud and left a red streak on the floor. The
tale does not belong to this world.”
“There is only one thing to be done,” said Flambeau,
“whether it belongs to this world or the other. I must go
down and talk to my friend.”
They descended, passing the man with the pail, who again
asseverated that he had let no intruder pass, down to the
commissionaire and the hovering chestnut man, who rigidly
reasserted their own watchfulness. But when Angus looked round for
his fourth confirmation he could not see it, and called out with
some nervousness, “Where is the policeman?”
“I beg your pardon,” said Father Brown; “that
is my fault. I just sent him down the road to investigate something
— that I just thought worth investigating.”
“Well, we want him back pretty soon,” said Angus
abruptly, “for the wretched man upstairs has not only been
murdered, but wiped out.”
“How?” asked the priest.
“Father,” said Flambeau, after a pause, “upon
my soul I believe it is more in your department than mine. No
friend or foe has entered the house, but Smythe is gone, as if
stolen by the fairies. If that is not supernatural, I —
”
As he spoke they were all checked by an unusual sight; the big
blue policeman came round the corner of the crescent, running. He
came straight up to Brown.
“You’re right, sir,” he panted,
“they’ve just found poor Mr. Smythe’s body in the
canal down below.”
Angus put his hand wildly to his head. “Did he run down
and drown himself?” he asked.
“He never came down, I’ll swear,” said the
constable, “and he wasn’t drowned either, for he died
of a great stab over the heart.”
“And yet you saw no one enter?” said Flambeau in a
grave voice.
“Let us walk down the road a little,” said the
priest.
As they reached the other end of the crescent he observed
abruptly, “Stupid of me! I forgot to ask the policeman
something. I wonder if they found a light brown sack.”
“Why a light brown sack?” asked Angus,
astonished.
“Because if it was any other coloured sack, the case must
begin over again,” said Father Brown; “but if it was a
light brown sack, why, the case is finished.”
“I am pleased to hear it,” said Angus with hearty
irony. “It hasn’t begun, so far as I am
concerned.”
“You must tell us all about it,” said Flambeau with
a strange heavy simplicity, like a child.
Unconsciously they were walking with quickening steps down the
long sweep of road on the other side of the high crescent, Father
Brown leading briskly, though in silence. At last he said with an
almost touching vagueness, “Well, I’m afraid
you’ll think it so prosy. We always begin at the abstract end
of things, and you can’t begin this story anywhere else.
“Have you ever noticed this — that people never
answer what you say? They answer what you mean — or what they
think you mean. Suppose one lady says to another in a country
house, ‘Is anybody staying with you?’ the lady
doesn’t answer ‘Yes; the butler, the three footmen, the
parlourmaid, and so on,’ though the parlourmaid may be in the
room, or the butler behind her chair. She says ‘There is
nobody staying with us,’ meaning nobody of the sort you mean.
But suppose a doctor inquiring into an epidemic asks, ‘Who is
staying in the house?’ then the lady will remember the
butler, the parlourmaid, and the rest. All language is used like
that; you never get a question answered literally, even when you
get it answered truly. When those four quite honest men said that
no man had gone into the Mansions, they did not really mean that no
man had gone into them. They meant no man whom they could suspect
of being your man. A man did go into the house, and did come out of
it, but they never noticed him.”
“An invisible man?” inquired Angus, raising his red
eyebrows. “A mentally invisible man,” said Father
Brown.
A minute or two after he resumed in the same unassuming voice,
like a man thinking his way. “Of course you can’t think
of such a man, until you do think of him. That’s where his
cleverness comes in. But I came to think of him through two or
three little things in the tale Mr. Angus told us. First, there was
the fact that this Welkin went for long walks. And then there was
the vast lot of stamp paper on the window. And then, most of all,
there were the two things the young lady said — things that
couldn’t be true. Don’t get annoyed,” he added
hastily, noting a sudden movement of the Scotchman’s head;
“she thought they were true. A person can’t be quite
alone in a street a second before she receives a letter. She
can’t be quite alone in a street when she starts reading a
letter just received. There must be somebody pretty near her; he
must be mentally invisible.”
“Why must there be somebody near her?” asked
Angus.
“Because,” said Father Brown, “barring
carrier-pigeons, somebody must have brought her the
letter.”
“Do you really mean to say,” asked Flambeau, with
energy, “that Welkin carried his rival’s letters to his
lady?”
“Yes,” said the priest. “Welkin carried his
rival’s letters to his lady. You see, he had to.”
“Oh, I can’t stand much more of this,”
exploded Flambeau. “Who is this fellow? What does he look
like? What is the usual get-up of a mentally invisible
man?”
“He is dressed rather handsomely in red, blue and
gold,” replied the priest promptly with precision, “and
in this striking, and even showy, costume he entered Himylaya
Mansions under eight human eyes; he killed Smythe in cold blood,
and came down into the street again carrying the dead body in his
arms — ”
“Reverend sir,” cried Angus, standing still,
“are you raving mad, or am I?”
“You are not mad,” said Brown, “only a little
unobservant. You have not noticed such a man as this, for
example.”
He took three quick strides forward, and put his hand on the
shoulder of an ordinary passing postman who had bustled by them
unnoticed under the shade of the trees.
“Nobody ever notices postmen somehow,” he said
thoughtfully; “yet they have passions like other men, and
even carry large bags where a small corpse can be stowed quite
easily.”
The postman, instead of turning naturally, had ducked and
tumbled against the garden fence. He was a lean fair-bearded man of
very ordinary appearance, but as he turned an alarmed face over his
shoulder, all three men were fixed with an almost fiendish
squint.
*
Flambeau went back to his sabres, purple rugs and Persian cat,
having many things to attend to. John Turnbull Angus went back to
the lady at the shop, with whom that imprudent young man contrives
to be extremely comfortable. But Father Brown walked those
snow-covered hills under the stars for many hours with a murderer,
and what they said to each other will never be known.